Michel Winterberg uses live sound sources from electromagnetic interference fields of everyday devices such as fans, computers and power supplies. Using these devices and special detectors, he improvises granular to repetitive or supporting soundscapes and immerses the listener in a psychedelic noise cosmos.

The electromagnetic fields are made audible (and visible with sound-reactive visuals) for us live through special detectors. In "Symbiotic Distortion" no actual sequencer is used, but only the improvised sounds are worked with, which are further processed and played back through delay loops and effect loops.